Broadcast Audio Delay

We put at your disposal the rental of a DIT station to fully conclude your feature film, advertising or television production. It is a system that can work with any camera, and gives the best workflows for Alexa SXT, Alexa XT Plus, Amira Premium, Red One, Red Epic, Sony, Phantom, Blackmagic, etc) and performs backups on RAID disks through of USB-3 and Thunderbolt connections and offer maximum speed to generate several high-speed copies at the same time. You can create any type of proxies or dailies by transcoding the material shot in various formats, both for editing and post-production, as well as for viewing by the filmmaker, cinematographer, production manager... Generate LUTs so that the DoP can see the signal with the look you have in mind. It works in real time in HD, 2K and 4K formats, and we can also assemble sequences on the set itself. The included software allows you to generate checksums of the dumps...

It features two 36x24mm full frame image sensors, built specifically for the demands and performance of the highest quality cinematography. Each sensor offers remarkable sensitivity, latitude, and color rendition, and in addition to being interchangeable, users can easily switch between sensors, without any additional firmware, and can even use the sensor from the Venice (ancestor camera). It has an 8K sensor that captures images up to 8640 x 5760 resolution, while the established 6K sensor gives a maximum of 6048 x 4032. Both give powerful upsampling for perfect 4K images. At full frame, you can use the full width of the sensors (8640 or 6048 pixels) for a 2.39:1 spherical widescreen or large format. We can use FullFrame creatively in different ways.

This camera has a great workflow across all formats it is capable of recording: 4K, UHD, 2K, and HD. Its design allows it to be used for the highest quality cinema, such as advertising or TV. The design of this camera consists of a division of modules, one for the camera and the other for external recording, and they allow the option of being uncoupled so they can work alone or together, through a cable or wireless connection, which allows us to job easier when using cranes or outriggers. The Codex brand has designed a module for recording in 4K RAW especially for this camera. This camera model also allows us to de-anamorphize image reproduction, make memories and pre-adjust WB, IE and Shutter. It has an 8.9-megapixel Super 35 MOS sensor with dimensions of 26.7mm high and 14.1mm wide. It has a total of 4448 x 2308 effective pixels and reaches more than 14 stops of dynamic range.

Arri's Alexa 35 camera, bringing to market after twelve years an innovative 4.6K sensor with 17 stops of dynamic range, Arri clarifies that it provides more beautiful colors and improvements in low-light performance. The camera has a wide range of lenses, including anamorphic and spherical, Super 35 and large format, a selection of accessories and a new application to improve workflow. It is a 35mm ARRI ALEV 4 CMOS sensor, with a resolution of 2K to 4.6K, is capable of reaching speeds of up to 120 frames per second right out of the box, weighs only 2.9Kg and LDS systems among other features. On one side of the camera, you have several connectors: an LBUS connector that connects the lens motors, a serial port for distance measuring devices, an ETH connector for remote controls, SYNC IN that is switchable to SDI...