CAMALEÓN CINEMA SERVICES SL - SHOOTING IN SPAIN WITH CAMALEÓN CINEMA | Production Company Spain - Camera Rental Europe

Generally, one of the things that is looked at the most to see what the quality of an audiovisual production is is the quality of the tracking shots and camera movements in general that are used for it. Most of the shots that have echoed in the cinema have been made with the use of cars and rails to respond to their narrative demands. Any car is not good for obtaining the smooth and precise movements we are looking for, and depending on the optics you have mounted on the camera, a car or tracks that are not of good quality will surely spoil the desired shot. At Camaleón we offer and advise on the carts and dollies of the best brands on the market so that your movements come out in the best possible and desired way.

We put at your disposal the rental of a DIT station to fully conclude your feature film, advertising or television production. It is a system that can work with any camera, and gives the best workflows for Alexa SXT, Alexa XT Plus, Amira Premium, Red One, Red Epic, Sony, Phantom, Blackmagic, etc) and performs backups on RAID disks through of USB-3 and Thunderbolt connections and offer maximum speed to generate several high-speed copies at the same time. You can create any type of proxies or dailies by transcoding the material shot in various formats, both for editing and post-production, as well as for viewing by the filmmaker, cinematographer, production manager... Generate LUTs so that the DoP can see the signal with the look you have in mind. It works in real time in HD, 2K and 4K formats, and we can also assemble sequences on the set itself. The included software allows you to generate checksums of the dumps...

It features two 36x24mm full frame image sensors, built specifically for the demands and performance of the highest quality cinematography. Each sensor offers remarkable sensitivity, latitude, and color rendition, and in addition to being interchangeable, users can easily switch between sensors, without any additional firmware, and can even use the sensor from the Venice (ancestor camera). It has an 8K sensor that captures images up to 8640 x 5760 resolution, while the established 6K sensor gives a maximum of 6048 x 4032. Both give powerful upsampling for perfect 4K images. At full frame, you can use the full width of the sensors (8640 or 6048 pixels) for a 2.39:1 spherical widescreen or large format. We can use FullFrame creatively in different ways.

The DSMC2 Monstro 8k camera from Red is distinguished by offering high resolutions and also high image quality. The MONSTRO sensor goes a step further, offering 17x more resolution than HD and 4x more than 4K. This camera has a 35.4 megapixel CMOS sensor with a maximum resolution of 8192x4320, a size of 40.96x21.60mm and a dynamic range of 17 stops. This camera has a larger sensor, so what it offers us is a shallower depth of field, achieving a greater dimension and an expanded perspective. The camera gives us 8K image recording, this causes the magnification to increase and thus the perspective signs become more pronounced. What really distinguishes its sensor from the RED DSMC2 Monstro 8k camera is the size of its pixels since the smaller they are, the more they can enter the camera sensor, which leads to suppressing the sharpening of the contours of the objects that They are seen on camera with lower resolution.

The C500 Mark II camera comes standard with a 5.9K full-frame CMOS sensor with over 15 stops of dynamic range. Its built-in DIGIC DV 7 Image Processor increases functionality and flexibility to enable features such as 5.9K recording, internal Canon Cinema Raw Light recording and Dual Pixel Autofocus. Canon C500 Mark II allows us to enjoy optional interchangeable lens mounts so that we can adapt them to our requirements according to the project we carry out. The EF lens mount is compatible with many Canon EF lenses, such as EF cine primes, while the optional PL mount can be used with the Cooke/i system. In addition, we can also use the B4 mount adapters with B4 optics. This camera can also record at high speed as it supports up to 60 frames per second at 5.9K.

This camera has a great workflow across all formats it is capable of recording: 4K, UHD, 2K, and HD. Its design allows it to be used for the highest quality cinema, such as advertising or TV. The design of this camera consists of a division of modules, one for the camera and the other for external recording, and they allow the option of being uncoupled so they can work alone or together, through a cable or wireless connection, which allows us to job easier when using cranes or outriggers. The Codex brand has designed a module for recording in 4K RAW especially for this camera. This camera model also allows us to de-anamorphize image reproduction, make memories and pre-adjust WB, IE and Shutter. It has an 8.9-megapixel Super 35 MOS sensor with dimensions of 26.7mm high and 14.1mm wide. It has a total of 4448 x 2308 effective pixels and reaches more than 14 stops of dynamic range.

The Flex 4K has the ability to record ultra slow motion 1000 frames per second at 4K resolution. It has a PL mount and a multitude of external accessories. The images it can record in ultra high speed is 938 FPS in 4K and 1977 frames per second in 2K. It has an excellent FPS range from 15 FPS up to 2949 FPS. It is also capable of recording audio thanks to the Mini-BOB adapter. This camera is only available for rent with the hiring of a specialized technician. It uses Vision Research's 1T and 2T Phantom CineMag IV memories, which allows it to capture a high amount of information per second, which entails advanced data transmission technology and a fairly high workflow. It has two recording formats up to 4K Cine Raw and in Apple Prores 422 HQ. It also offers the possibility of recording in a dual way while saving the two files at the same time.

It is a camera that works with a resolution of up to 12K that provides high image quality in 8K and 4K, it also has a Super 35mm sensor and 14 steps of integrated dynamic range, 12K 12,288 x 6480 pixels with which it has a resolution excellent for high-end productions. It accepts 80 Megapixels per frame at 60 f/s in RAW format and 14 stops of dynamic range. The URSA Mini Pro 12K camera has such a high resolution that it exceeds the traditional parameters of the film industry, as it has the advantages of filming on tape with incredible details and very vivid and intense colors. Also, we can film at 60 f/s in 12K, 120 f/s in 8K and up to 240 f/s in 4K (Super 16). It has a switchable PL mount, built-in ND filters, dual CFast and SD UHS-II card slots, and a SuperSpeed USB-C expansion port.

The L10-C LED lighting Fresnel, is the largest projector in the L-Series range, it is also the last one that Arri has brought to the market. It is made of aluminum and thermoplastics and thus makes it very robust but with a very light weight. The light it produces is so strong that from a long distance it manages to wrap the desired product very well. It is ideal for use both on sets and filming sets. It can be connected to alternating current voltage 100V - 250V, 50 - 60Hz. It is not possible to power it by batteries. It is considered an energy efficient product since it has a consumption of between 410W and 510W. It is possible to operate it both by DMX and wirelessly via an RMD command. Its color range oscillates between 2800K and 10000K and we can vary it in such a way that flickers do not appear. We also have the possibility of green-magenta color correction. It has a variable light between variable light between 15 and 50 degrees.

The ARRI L7-C LED has a 25% improvement in power over its predecessors. It is capable of achieving an increase in tungsten equivalence from 750W to 1,000W. It has the control of a wide range of color temperature and adjustments of hue and saturation from 2800 to 10000K. It can be connected to alternating current with a voltage between 100 and 250VAC, and a frequency of 50-60Hz. It is a light source that reaches the same power of a tungsten of up to 1000W but consuming much less than half. It can be operated from DMX or remotely by RDM command. It is easy to use and intuitive. It has a color temperature range between 2800K and 10000K and also allows us continuous variation without flickering. It also has green-magenta color adjustment. Its light intensity range is from 0% to 100%